Tusome

17 January 2014

Let's Enjoy Our Trash; Mochama - Section the Last



A literary work which is 'positive' and 'righteous' can't fit in any society. No society is that clean as we all owe our origin to our first parents - Adam and Eve. The devil is the one who cheated them to disobey God. That the serpent always tries to conquer us shows that our hands many a times get soiled through committing sin. The pen exposes such trash. Without its presence, words can barely exist. And if they do, they may be corrupted in meaning and relevance.
 The late humourist, Wahome Mutahi of the whispers fame, in Doomsday, exploits terrorist attack on the American embassy in Anyisa - typically Kenya. Sadam Hussein decides to settle scores with America through that cowardly act. The writer wants to wide-open the reader's eyes to see the negativity of terrorism and corruption as human bodies get burnt beyond recognition, economies pinched.
In Jail Jugs, Wahome satirises the terrible condition of our jails. Using Albert Kweyu’s first-person narrative voice, he divulges how inmate life is worthless to wardens. For example, if a prisoner dies, he is just dumped and his scanty possession sent back to his people explaining that 'he has been defeated by his sentence.' After Pepeto and Fixer escapes from prison, the rest of the prisoners are starved for days, as though they can produce the escapees with every baton-connection onto their knee caps or skulls.
Ngugi wa thiong'os Devil on the Cross addresses neo-colonial themes such as corruption and human extortion. Jacinta Wariinga gets sacked for defying her boss’ advances. Devil on the cross uses satire to expose extortion of the rich by the poor. The International organisation of thieves and robbers (IOTR) convenes a meeting in Ilmorog to make local property guards account how much each has stolen from the people and to suggest how robbery can be improved in the country.
Throughought Aminata, the late master playwright, Francis Imbuga, explores exploitation of women rights in society. Aminata's uncle and the chief of Membe village, Jumba, struggle to deprive her of her father's (Pastor Ngoya's) inheritance of land. He complies with Aminata's brother, Ababio, to achieve his plot, and sows seeds of discord between brother and sister.
Otieno Kembo, in Margaret Ogolla's The River and the Source, after the death of his brother Chief Owuor Kembo and Akoko's husband (Owuor Kembo), grabs his brother's wealth. He also seats on the throne, and runs the Sakwa community ruthlessly. Since the right king is too young to rule, Otieno does not follows chik - the community's way of life of acting as the infant's patron until the former comes of age. Akoko goes to Kisuma (Kisumu) to seek the white man D.O's help in ousting her brother-in-law from the throne. Writers have to deal with tenderness of words only. Nothing else to worry about as 'trash' events always compete with each other for human awareness. Let us follow Mochama's counsel and embrace our 'trash' the way it should be.

© Peter Ngila 2013
 




No comments:

Post a Comment